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Jesus-Judas: Best Friends Forever by Ralph E. Jarrells

Winner – Religious Fiction Book of the Year (Maincrest Media Book Awards 2025)


By Amanda Smith Media & Literary Strategist, Down Under Interviews



Book cover of Jesus and Judas: Best Friends Forever – A Novel by Ralph E. Jarrells, featuring a textured brown leather-style background, gold stylized lettering, faint crosses near the bottom center, and a Roman coin in the lower right corner.

There are few names in Western religious memory as fixed as Judas.

His identity has become synonymous with betrayal. His character flattened by centuries of assumption. His motive rarely revisited with nuance.


Yet in Jesus-Judas: Best Friends Forever, Ralph E. Jarrells asks a disarming question:

What if we have made God’s mercy too narrow by the limits of our own certainty?


Drawing inspiration from Frederick W. Faber’s hymn There’s a Wideness in God’s Mercy, Jarrells constructs a narrative that explores not simply betrayal — but relationship. Before treachery, he suggests, there was friendship. Before condemnation, there was proximity.

And proximity complicates everything.


Jesus-Judas re-entering a Familiar Story


Jarrells does not approach the biblical account Jesus-Judas as revisionist spectacle. Instead, he widens the historical and theological lens.

He examines:


  • Extra-canonical writings

  • Historical context beyond traditional orthodoxy

  • The cultural distinctions between Galilee and Judea

  • Judas’ familial and political positioning


In his rendering, Judas Iscariot — Judah bar Simon — is not a caricature. He is a man embedded within expectation, family pressure, religious structure, and national tension.


This is not an attempt to excuse.

It is an attempt to understand.

And that distinction matters.


Parallel Lives




Gold circular badge reading “Maincrest Media Award Winner” with a shield and letter M in the center, styled as a metallic award seal.

One of the novel’s most compelling structural decisions is the tracing of Jesus and Judas in parallel — from pre-birth prophecy to formative childhood. Their lives unfold separately yet in quiet symmetry.


The effect is unsettling.

We are repeatedly reminded that destiny and agency coexist uneasily. That proximity to holiness does not immunise one from misunderstanding. That belief, when filtered through expectation, can distort even the closest bond.


Jarrells invites readers to confront an uncomfortable possibility:

Was Judas acting from malice — or from misjudged conviction?

The novel does not preach an answer. It dramatizes the tension.


Mercy Without False Limits


At its theological heart, the work grapples with mercy.

The endorsement by Rev. Dr. Lanny Lanford frames it clearly: we often “magnify His strictness with a zeal He will not own.”


Jarrells dares to imagine what divine mercy might look like if human rigidity were loosened.

For some readers, that will be provocative. For others, liberating.

Either way, it moves the conversation from condemnation toward contemplation.


Promotional graphic for Down Under Interviews featuring host Paul Rushworth-Brown in a navy blazer beside a logo showing an Australian outback sunset with a kangaroo silhouette and microphone, with the tagline “Stories from the Heart of Australia to the World.”

A Late-Career Courage


There is something quietly admirable about an author in his eighties choosing to explore one of Christianity’s most entrenched narratives.


After a four-decade career in advertising, marketing, publishing, and award-winning international video production — and years of mission work in West Africa, Eastern Europe, Central America, and India — Jarrells turned to fiction not for comfort, but for challenge.


Writing, for him, was not retirement leisure.


It was inquiry.


And in this novel — his third — he tackles perhaps the most complex moral question in Christian storytelling.


Why It Matters


Religious fiction at its best does not reinforce certainty. It tests it.

Jesus-Judas: Best Friends Forever operates not as theological rebellion, but as theological expansion. It asks whether long-held narratives can sustain deeper scrutiny without collapsing.

In a cultural moment where labels are quickly assigned and nuance often dismissed, revisiting Judas as a human being rather than a symbol invites a broader reflection:

How easily do we reduce complex lives to singular acts?

And what might we discover if we widen the frame?



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